| Amos Vogel – Film as a Subversive Art (New York: Random House, 1974) |
An explosive, cruel work of the deepest passion, a silent cry, this is a mystic evocation of the nightmares of Spain. Reminiscent of Buñuel’s Land Without Bread, it succeeds in conveying nameless terror and anxiety. One of the great unknown works of world cinema: surfacing at the 1958 First International Experimental Film Festival in Brussels, it just as quickly disappeared and is now unavailable.
^ | | | Anteo – Diario España (1955) |
| Gonzalo Sáenz de Buruaga – Índice de Artes y Letras (1956) |
| Konrad Haemmerling – Der Tagesspiegel (1956) |
| La Libre Belgique (1958) |
| Paul Davay – Les Beaux Arts (1958) |
| Alfonso Sánchez – Informaciones (1955) |
| José López Clemente – Cine documental español (1960) |
| Amos Vogel – Film as a Subversive Art (1974) |
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